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Title:
The Break
Time period: Any time after episode III but before ROTJ
Author: Elle
Rating: NC-17
Characters: Vader(Anakin)/original female
Category: PWP (somewhat ABH)
Disclaimer: I own nothing and am making no profit. It all
belongs to
Lucas (although some was borrowed from Troy Denning).
Summary: Totally unmitigated porn.
**********************************************************************
You are slumped back in an uncomfortable booth in Mawbo's
dance hall, waiting for the night to start, when the
Imperials arrive. You do not expect them to come to your
table; you are a whore on Tatooine, hardly worth the
attention of the Empire.
Mawbo shouts at them when they move to arrest you. You do
not belong to her as such, but you do pay her a small
monthly fee to use her property to pick up tricks. The
other dancers hate you because the men still come to you
first, half hidden in a dark booth, while they slink
around on stage, in the bright lights. Mawbo looks at you
with as much
maternal affection as is possible for her, something that
boggles you and the other dancers. You suspect she may
have plied your trade once, a long time ago.
So when the stormtroopers close their gloved hands around
your upper arms, Mawbo curses and threatens them. They
ignore her. Everyone else in the hall is either too
surprised or terrified to move.
Your boots hit the sand outside, dragging and kicking,
fighting them every step. You suspect you've been
mistaken for someone else. You also suspect it won't
matter. They'll torture and kill you anyway. Bile and
fear burn your throat.
* * *
You are taken aboard a capital ship hovering over
Tatooine and led down a long white corridor. By this time
you've given up fighting. You have nowhere to run to now.
You realize as you listen to the stormtroopers jeering
among themselves that they know you are a whore. One
pushes the end of his gun against your bottom
suggestively. If they know who you are, then why bring
you here? You open your mouth to form the question but
know they won't answer anyway. A harsh life on a harsh
planet has taught you when to be
silent.
They stop in front of a pair of large metal doors. The
doors hiss open and they push you in, but they do not
follow. You turn around quickly, but the door seals shut
behind you. The room is white and feels cold and
clinical. The lighting is too bright for comfort. You
turn away from the door shaking because you know you are
not alone. The room is empty except for a chair against
the far wall. Sitting in the chair is a man even you
recognize. Your stomach is tight and cold with terror.
You are very certain you are going to die.
The rasp of his breathing fills the room. You think he is
staring at you, but it is impossible to tell behind the
lenses of his mask.
Then he speaks. His voice is somehow horrible and
fascinating at the same time. He says, "You will be
paid."
It takes you a moment to grasp his meaning. Then you do
feel sick, very sick, which is odd because now you know
you are not going to die. You suspect this will involve
pain, robably a lot of it. Ironically the ones who
like pain always wear black masks...or make you wear
them.
Your palms press sweaty prints on the door behind you.
You're breathing is harsh and irregular.
He speaks again. He says, "Take off your
clothes."
Part
II.
When
he tells you to take off your clothes, you feel slightly
calmer. You've stripped for plenty of faceless men in
your young life, and he will be no different...or so you
tell yourself. Professionalism sets in and your hands are
steady as you unbutton the rather sheer tunic you were
wearing. When it hits the floor you bend over to pull
your tight
breeches from the tops of your boots. You slide them off,
leaving the boots on. Most men like it when the boots
stay on because they are glossy and black and
high-heeled. You like it when they stay on because you
know the floor will be cold.
When you straighten you are otherwise completely naked.
You have never bothered with underwear. Your hair is long
and covers your breasts, so you push it back over your
shoulders. You look at him without really seeing him,
pretending that he is just another rough-handed farm
worker or trader.
You take a step toward him, but he raises a black-gloved
hand. "No," he says. "Stay there."
You keep quiet. Then he says, "Touch yourself."
You are surprised, not because this is the first time
you've received such a request, but because it suggests
that he will not be touching you. You wonder if he is
unable to perform. The rasping of his mask would seem to
imply that he can't.
He doesn't move to touch himself either, which is
unusual. Instead you use the sound of breathing as your
rhythm. You run the tip of your tongue along your
fingers, gliding them through your hair and down to your
breasts. You pinch your nipples roughly and gasp as they
harden. An old trick to feign arousal. You slide your
fingertips down the center of your body, past your navel
to the thatch of hair between your legs.
You close your eyes and expect him to command you open
them. He does not. You tease the lips of your vulva with
feather-light strokes, before spreading them so he can
see. You moan, faking completely, but sounding
convincing.
Then something tightens hot and low in your belly. The
room is no longer cold but warm as a Tatooine dawn. You
smell the rich scent of warm leather around you and gasp
as your skin tingles, hyper-sensitive. You don't dare
open your eyes. You know he is still across the room. You
can hear him. But you feel him, around you, dark and warm
and touching you so whisper-light you think you might
have imagined it. Your skin is hot and heavy in a good
way and when your hand travels back to your sex you find
yourself wet. You don't need to fake a moan as you touch
yourself. He does not touch you per se, but he is around
you, against you, everywhere at once. The sensation is
foreign, terrifying and electric. You have an eerie
feeling that he is using your hands, feeling the same
thing you do, whenever you brush your skin.
You are so choked with this strange arousal that you come
the instant your fingers touch your clit. You sink to
your knees, biting back a sob. Your cheeks are wet and
salty with tears of humiliation and need. You hate
yourself for enjoying this.
"Open your eyes," he commands, and you obey.
You are not in the ugly white, square room anymore. You
are kneeling on a bed covered in soft, black sheets. You
are not staring at that hard, black mask, but into the
liquid-sexed eyes of a young man. He is sitting in a
plush gray chair watching you, naked from the waist up.
He is handsome in a wicked, arrogant sort of way. His
hair is dark blond,
curling softly around his shoulders. He is all taught
muscle and tanned skin. He is so handsome that you might
have fucked him for free, for the pleasure of touching
someone so beautiful.
He crosses the room in long strides, purposefully, and
catches you in a crushing kiss. His tongue is in your
mouth, invasive. Your fingers catch the drawstring of his
loose black pants and push them down his hips. He kicks
them away. You break this kiss and bend down to service
him, as is expected, but he takes a fistful of your hair
and pulls your mouth roughly back to his.
You are afraid because you want him so badly you are no
longer thinking like a whore but like a woman. Mawbo
warned you about men like this. She warned you about the
pretty ones and the charming ones, although you don't
consider him either. She warned you about the ones you
would want, really want, because they would leave you
broken afterward. Even
the sadists, who made you beg, never really broke you.
As the young man covers you with his body, pressing you
back into the sheets, you suspect that he will.
Part III.
The
young man's chest is warm and smooth when it brushes your
nipples. You wrap your arms around his shoulders as he
eases you back. His hands hook around your thighs,
spreading your legs and tilting your hips upwards. He
wraps your legs high around his waist and pushes into
you.
A half startled scream escapes from your throat. You are
swollen and ready, but you didn't expect him so suddenly.
Your sex is almost aching with need, and your hands
scramble for purchase on his now sweaty shoulders as he
pushes into you. He is rough and hard. He is
fucking you in the basest sense of the word, and you
angle your hips so he can go deeper.
Normally you talk dirty to clients at this stage, help
them along, lie and tell them how wonderful they are, how
much you wanted this. Now that it's true you can't even
form words.
The heels of your boots scrape along his spine and he
hisses, thrusting harder. You will be bruised. You don't
care. Roughly he palms one of your breasts, squeezing
hard but deliciously so. You feel the beginnings of an
orgasm overtake you.
You're both so slick with sweat that only your nails,
buried in the skin of his shoulders, keep you from
sliding apart. His wet hair is plastered against your
cheek and you breathe him in, the smell so masculine and
sweaty and raw.
His rhythm falters. He plants his hands on either side of
your head and arches upward, the muscles in his neck
twitching, his jaw clenched, his eyes closed. He is the
most beautiful thing you've ever seen.
He pushes into you hard, three times. "Now," he
says. "Now." It is an order.
You scream because you are coming and because the voice
belongs to Vader.
You squeeze your eyes closed, riding out the shockwaves.
It is so good it is near the sharp edge of pain.
When you come back to yourself, you realize you are cold.
You are bent over, torso resting on an icy durasteel
floor, body dripping with sweat. Your legs are tangled
beneath you.
You are back in the white, cold chamber, trembling and
wet. Your hair hangs in matted strands around your face.
You look up. He is still sitting in the same chair, still
across the room. He has not changed position at all. But
you know that he was the one inside you. The ache between
your legs tells you it was real, not something he forced
into your mind. You don't care how. You just want him to
take you back to that place, to be the rough handsome boy
again. To touch you again with all that power.
The room is thick with the smell of sex. Your legs are
too wobbly to stand so you crawl over to him on your
hands and knees. You couldn't care less if it's
degrading. You stop between his legs, still shaking,
dangerously near tears, and press your cheek against his
thigh. The material is cold. He places a hand on the top
of your head.
The doors hiss open and two stormtroopers march in. You
are still naked and wet and open, but you don't care. He
could take you now, as he is, on the floor in front of
those men, and you would probably thank him for it.
They drag you away from him. You're too weak to protest,
but every inch they pull you farther away feels
physically painful. Something is being stretched.
You are dragged down a hallway, still nude, but the other
people on the ship look away as if they are afraid. You
are left in a small room and provided with a real water
shower and a hot meal. When your clothing is returned, it
is clean.
You wash and eat and dress mechanically. You can still
feel him. You could find him on this ship based on that
strange sixth sense alone. If you thought, even for a
fraction of an instant, that he would see you again you
would go and find him.
They take you down to the planet and give you more
credits than you know what to do with. You want to cry
because the stretching feeling is worse and your
connection to him is fading. You want to cry because you
are horrified you could be made to feel this way. Your
will has been snapped cleanly in two, like a dry twig.
They leave you where they found you, at Mawbo's. You are
still shaky and Mawbo assumes it is because you have been
raped. She swears violently at them, enraged at being
helpless, and then spits in the sand at their feet. They
don't even acknowledge her.
She takes you inside, murmuring soft things and touching
your hair. She puts you to bed, but it is a long time
before you sleep. Eventually the feeling is gone, the
connection and the need, but for years after, the smell
of leather can make you wet.
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